Thursday, June 3, 2021

Issue #15: Sandy's Reflections on Guardians of the Galaxy Vol. 2 (2017)

I have many memories of watching this film at my local cinema where I sometimes volunteer. I would have it timed right to sneak in to watch the Baby Groot-Opening Credits dance sequence several times each week. I mean, it's Baby Groot. Dancing.

All kidding aside, I enjoyed this film immensely, and I looked forward to watching it again for our blog. It just turned out that, with Gian's library board meetings, my grading piles, and our conflicting schedules, we had a few weeks where we couldn't meet--placing this movie on the day-after-elections. We watched the film after a long day of result-watching, and not knowing the outcome, we decided to still go ahead and do our scheduled movie watching.

This film really was a balm on the day. It's the perfect film to watch at this point. There are rainbow-colored bubbles, comedic exchanges, amazing music montages, an adorable almost-love story between the heroes, and, of course, Baby Groot. 

The main theme of the story is family. "There has to be more out there, than just me, I thought," Ego explains as he woos Peter. The first act of the film showcased how the GOTG often got on each others' nerves, their quirks on full display, a stark contrast to the fairy tale that Ego presents as he offers Peter the fantasy family that the thought he was always searching for.

As we thought of the election, as we watched the film, the United States was deeply divided. In a way, any election is like the theme of this film. We have to sort through the fantasies to see what we have and what we want. Each member of the team, just like us, has to decide whether to leave their found family or to embrace them, help them, despite their quirks and flaws. 

I find hope in this film, and I think the comedic elements are super funny--and the heartfelt, dramatic moments work to give us a deeper glimpse into beloved characters. I can only hope that we as a nation can learn the lesson of family as one that you make yourself. When Peter eulogizes Yondu, he allows himself to see the good in his life with Yondu. He makes the choice to appreciate the family that he built.  We have a choice with where we want to go after this election, and I hope we can band together to get there, just like the Guardians of the Galaxy.

Issue #15: Alex's Reflections on Guardians of the Galaxy Vol. 2 (2017)

Before writing this review, I looked at the Rotten Tomatoes score for this film: 85% for critics and 87% for audience. This has been done by my movie watching colleagues and me a few times during our trek through the Marvel Cinematic Universe, but for Guardians of the Galaxy Vol. 2, I had to know what other people thought. To be blunt, I think this is the worst Marvel Cinematic Universe film. It is worse than Thor: The Dark World and worse than Iron Man 3. This film is tricky because the opening sequence with Baby Groot dancing to Electric Light Orchestra is fantastic, and all of the joy in that scene almost convinced me to adjust my mind. However, the rest of this film is, as my friend Trevor and I like to say when we do really involved and complicated analyses of various entertainment, a dumpster fire.

The plot, where Peter Quill’s father is revealed to be a “celestial” (a god in Marvel verbiage) named Ego (Kurt Russell), is found wanting. It is difficult to dish out criticism of a film where one of the key themes are family and the coming to terms with emotions, but just because the themes are powerful does not mean it is not an eye rolling roller coaster of overindulgent special effects, a cliché soundtrack, and a ridiculous climactic action sequence.

My identity crisis with this film is really a byproduct of something I have discussed with my moviegoing colleague Gian. Maybe it is my age or maybe it is my self-imposed overexposure to superhero and action films through the years, but I just don’t care. Much of the magic I have felt with these films has dissipated over time, and in trying to be analytical about this, I cannot pinpoint the reason. While watching the movie, I couldn’t help myself from saying things aloud: “How is he still alive?” “This planet has been blowing up for 45 minutes.” “She just dropped out of a spaceship from over 300 feet, landed on her knees, and wasn’t hurt.” Like the proverbial old man yelling at those darn kids to get out of his yard, I couldn’t help myself.

The unfortunate part of this whole reflection is that I am not old. And since that is the case, why was I so annoyed with this film? I think I am jaded by many aspects of the Guardians Vol. 2 including the special effects, the incessant hammer-like reminder of the themes throughout film, and the classic rock FM soundtrack that makes me think of guys playing loud music on a boom box at a construction site.

Yes, Baby Groot is cute. Yes, Rocket Raccoon is funny. But this film was a movie that was made to be made: it exists because it exists. Like Ant-Man, if you skip this film, you will not have missed anything in the totality of the Marvel Cinematic Universe.

Issue #15: Gian's Reflections on Guardians of the Galaxy Vol. 2 (2017)

One of the best things about Marvel is that they can take characters you think you don’t like at all and turn them into characters you absolutely love. While I felt Guardians of the Galaxy Vol 2 (2017) had a lot of weaknesses, the film directed by James Gunn gets one big thing right: Yondu (played to perfection by Michael Rooker).
 
In the original comics, Yondu had a super bright costume and what looked like a rooster-plume on his head. In fact, the whole team looked kind of silly when they first appeared in Marvel Super-Heroes #18.


Having read a number of those early stories, I have to say I was pretty shocked when I heard they were making the Guardians part of the MCU. I certainly didn’t expect they could translate Yondu into a great character on screen. Luckily, they gave Yondu a respectable Mohawk which lets him control an incredibly deadly flying arrow. and even more respectable personality.
 
While Yondu comes across as menacing, we slowly learn that he has become an outcast from the Ravagers. This is one of the cores of the MCU. Many of its characters are lost souls. Captain America is a man out of time. The Winter Solider has been brainwashed. Black Panther watches his father get killed before his eyes. Gamora’s people are slaughtered by Thanos. For all their power, the heroes of the MCU struggle with incredible loss, loss that might overwhelm anyone.
 
Yondu has become an outcast because he refused to deliver Peter Quill (again played to comedic perfection by Chris Pratt) 
to the god-like Ego (played larger than life by Kurt Russell). Yondu had had actually delivered a number of Ego's other offspring to Ego, but when he learned that Ego subsequently killed those children, Yondu refused to give over Peter. Instead he hid Peter away and, for failing to honor his contract with Ego, the Ravagers exiled Yondu from their group. Yondu does what the best fathers always do if they must, sacrifice they own good for their children.

But Yondu lies to Peter about why he kept Peter. He tells Peter he kept him because he was small and skinny and could sneak into places to steal things. Yondu poses as loner and an outlaw. He acts like he only loves himself, and we can't be sure what Yondu thinks beyond what he has told Peter. And Peter accepts this coldness from Yondu as real. Perhaps Yondu never planned to be a father, so he didn't want to take credit for that fatherly act of saving Peter. There's a long, sad tradition of fathers and sons not being able to communicated and express their love for each other, and Yondu and Peter certainly fall into this trap.

In Peter's case, this leaves him searching for a father figure. As we know from the original Guardians of the Galaxy film, Peter lost his mother as a child. He never learned who his real father was, so he has spent much of his life searching for that father. In Guardians 2, Peter learns that Ego is his biological father and the source of Peter's own powers. Peter is quickly seduced by Ego's power, despite Gamora (played superbly as always by Zoe Saldana) try to warn him that Ego is not who he seems to be. Of course, Gamora is right and Ego actually plans to destroy the universe and remake it in Ego's own image.

But as the movie rolls along, we also learn that there is more to Yondu than meets the eye. In a particularly important exchange between Yondu and Rocket (voiced by wonderfully by Bradley Cooper):

Yondu You can fool yourself and everyone else, but you can't fool me. I know who you are.

Rocket You don't know anything about me, loser.

Yondu I know everything about you. I know you play like you're the meanest and the hardest but actually you're the most scared of all.

Rocket Shut up!

Yondu I know you steal batteries you don't need and you push away anyone who's willing to put up with you 'cause just a little bit of love reminds you of how big and empty that hole inside you actually is.

Rocket I said shut up!

Yondu I know them scientists what made you, never gave a rat's ass about you!

Rocket I'm serious, dude!

Yondu Just like my own damn parents who sold me, their own little baby, into slavery. I know who you are, boy. Because you're me!

Rocket ...What kind of a pair are we?

Yondu The kind that's about to go fight a planet, I reckon.

Rocket All right, okay! Good, that's... Wait. Fight a what?


In the final climactic battle of the film, Peter plans to stay behind to blow up the world which is Ego, an action which would result in Peter's death too. Rather than let Peter die, Yondu saves Peter and sacrifices himself to destroy Ego. It's an old storyline that we all know: Two characters are faced with self-sacrifice in order to save the universe and only one of the two characters can survive. So they nobly fight over the right to sacrifice themselves to save their friend.

We certainly can't miss that message about fatherhood. Yondu is Peter's real father, not Ego, and heart matters more than blood. Gunn makes sure we get the point of the film. But I think he actually delivers a more interesting message about fatherhood in that earlier exchange between Yondu and Rocket. Fathers need to be devoted to their children, not only blood relations but those raise as our own. But, beyond that, fathers also have a role to help other "children" if you will. In a way, Rocket is a lost child too. Perhaps the most orphaned child in all the MCU. Yondu, in the role of a father, offers Rocket a moment of understanding. He hears not what Rocket says but what the message underneath the surly statements Rocket makes. That's what the best fathers do: They listen, hear, understand, and offer a little advice. As a father myself, that's the message I'll try to remember.