Showing posts with label Issue 09: Captain America--The Winter Soldier. Show all posts
Showing posts with label Issue 09: Captain America--The Winter Soldier. Show all posts

Sunday, October 4, 2020

Issue #9: Sandy's Reflections on Captain America: The Winter Soldier (2014)

I’ve often said that I find Peggy Carter’s arc an amazing one, despite the fact that she really is a major character in only one MCU movie. However, we do get to see glimpses of Peggy at various stages of her life, glimpsing what she longs for, and fights for, after Steve has been lost to her. Her life and accomplishments, then, have reverberations throughout the MCU.

In Captain America: The Winter Soldier, we get two different snippets of Peggy, and both are important. I’m going to discuss them now, looking back, so here’s your spoiler warning if you haven’t seen Avengers: Endgame.

 

Steve Rogers is having trouble building a life and moving forward. He feels alone, stating that socializing seems unimaginable when Natasha asks him if he did anything exciting for his Saturday night, “Well, all the guys from my barbershop quartet are dead, so…no, not really.”

 

This feeling of loneliness is further emphasized in a subsequent scene where he, incognito, visits the Smithsonian Museum to tour the exhibit dedicated to his adventures back in the day, complete with artifacts, information about his childhood, and videos recorded by those with stories about Steve—such as Peggy. Here is our first glimpse of an older Peggy, in 1958, reminiscing about Steve: 

 

“That was a difficult winter. A blizzard had trapped half our battalion behind the German line. Steve…Captain Rogers…he fought his way through a HYDRA blockage that had pinned our allies down for months. He saved over a thousand men, including the man who would…who would become my husband as it turned out. Even after he died, Steve was still changing my life.”

 

These words seem straightforward at this point in the MCU, and much press and fan commenting focused on who the man was who would be worthy of stepping into the very big shoes of Steve Rogers.

 

There is one other scene with Peggy in the film, this time with her in the present timeline, bed-ridden and sick. Steve, still feeling alone, goes to visit her. We see framed photos of her life by her bed, and while we can see one frame with her children, we don’t really see her husband. Seeing Steve look at her photos, she says, “I have lived a life. My only regret is that you didn’t get to live yours.” She gives him other advice, too, during this moment of lucidity: “The world has changed and none of us can go back. All we can do is our best, and sometimes, the best we can do is to start over.”

 

Looking back, these words are actually cryptic and can be read with even more depth and foreshadowing.

 

The writers for Winter Soldier and Endgame are the same, Christopher Markus and Stephen McFeeley, and they assert that they have “had the idea of Steve returning to live with Peggy in mind for a while. But if this is true, then that means Peggy is lying to Steve in The Winter Soldier”

(https://screenrant.com/captain-america-winter-soldier-peggy-carter-old-lie/). In this article, “Oh Peggy was Lying to Steve in Captain America: The Winter Soldier?” the writer, Cooper Hood, argues that Peggy had chosen her words wisely here, and the lie is actually the line about him not getting to live his life. I don’t think this is a lie, though. The writers argue that it’s a loop (which, side note, contradicts what the Russo brothers say about this issue since they claim it’s an alternate reality), and Peggy’s husband is Mr. Steve Rogers, a man who supports his wife’s work in S.H.I.E.L.D. when he “starts over” by returning to her. Peggy's words about changing her life take on new meaning with this twist, as we think about coming back from being MIA as a definite life-altering event. But, if they had decided to keep this a secret to avoid altering the timeline in unknown ways, then everything does fit together like an intricate puzzle.

 

What’s interesting is that the writers set up Emily VanCamp’s nurse-next-door (who turns out to be a Fury-sent spy to watch over Steve) as a potential love interest in the same film. (Which, at the time of writing this blog, seems to be an abandoned storyline.) While her character is likeable, it’s still hard to compete with Peggy—even if she only has two small scenes. 

 

It’s especially enjoyable to trace all these pieces of Peggy’s timeline in the MCU now that we know the “endgame” the writers had in mind (pun intended). I’m really looking forward to the Disney+ series What If… which will have an episode that features an alternative reality where Peggy takes the serum instead of Steve. I think that her popularity is a testament to how beloved the character is. I really would have liked to see the series Agent Carter have a few more seasons, but then again, filling in these gaps and connecting the dots as a viewer is half the fun. As Steve says to her, “You should be proud of yourself, Peggy.” 

 

Issue #9: Alex's Reflections on Captain America: The Winter Soldier (2014)

This movie is excellent…for one hour and thirty minutes. The Russo Brothers’ first foray into the Marvel Cinematic Universe is a crazy action movie with well-choreographed one-on-one fight sequences, a seamless car chase sequence, and suspenseful storytelling that truly has repercussions for the remainder of the Marvel Cinematic Universe’s run…for one hour and thirty minutes.

The ending sequence sees Captain America fighting The Winter Soldier who used to be his best friend, Bucky Barnes, who Captain America thought was long dead. Throughout the film, Steve Rogers battles with the moral dilemma of having to confront his former friend and ultimately decides to not harm him. All of that makes for great storytelling and creates investment on the part of the viewer; as a consumer, I care what happens to the characters in this film. What complicates my viewing is the chaos surrounding the third act, and this will become a theme with the Marvel films as we move through the series. 
 
It is not enough that Captain America and Bucky Barnes are fighting to the death. It is not enough that Hydra has completely infiltrated S.H.I.E.L.D. It is not enough that the Secretary of Internal Security for S.H.I.E.L.D. (Alexander Pierce, played by Robert Redford) was the ultimate mastermind behind all of the insanity. No, that’s not enough chaos and intrigue. There also needs to be three (THREE!) helicarriers falling from the sky into the Potomac. Captain America needs to be fighting the Winter Soldier on one of those helicarriers, and those hellicarriers need to be firing at each other incessantly for 20 minutes. This is putting a hat on a hat.
 
I know from past viewings of all these films that this is only the first of many overindulgent ending sequences in Marvel Movies that do not need them. I’ll make a confession right here, right now. During the entire ending sequence in this film, I was on my phone looking up sports news. I would occasionally look up and see Captain America hanging sideways from a perilously bent metal beam, but it was too much. The film would have been better served having Captain America fight the Winter Soldier in a more intimate setting. The movie did not need all this bull#$% to entertain the audience. All of the stories the movie built up over the first hour and a half were enough.

And Marvel is not the only series guilty of overindulgence. An egregious example of this is the recent Wonder Woman movie. That film was nearly one of the best superhero films ever made, but they had to have Wonder Woman fight Ares (who looked like Shao Khan from Mortal Kombat) in a videogame cut-sequence. Why filmmakers feel they have to put these insane CGI finales in superhero movies is beyond me. They are appropriate at points, and when we review Avengers: Endgame, I realize it is a final battle that was built up over nearly one decade. The rationale and necessity for that level of CGI is clear. But Captain America: The Winter Soldier did not need it.

Friday, October 2, 2020

Issue #9: Gian's Reflections on Captain America: The Winter Soldier (2014)

I love the opening to Captain America: The Winter Soldier (2014). Dawn is breaking and the sky is a rich blue purple tinted with rose as the sun begins to rise. A lone figure jogs beside a small lake and in the background we see the dark pinnacle of the Washington Monument and then the round dome of the Thomas Jefferson Memorial. Quiet music plays, and there is a peace and calm to the scene that will stand in stark contrast to the battles and turmoil that lie ahead.

It’s a reminder that Washington, D.C. is a beautiful place, something that has become easy to forget as the political divisions in America have grown ever uglier. How did we end up at war with each other? We are supposed to be the United States of America, not red and blue states, not hating each other.

Winter Soldier resonates with post 9/11 themes. Who are our friends, who are our enemies? And the film is as timely as ever. Captain America (played ironically as ever by Chris Evans) leads a rescue mission to save crew members on ship that has been seized by pirates, but then the Black Widow (played in butt kicking form again by Scarlett Johansson) jeopardizes the whole operation when she takes time to download secret data off a hard drive. Natasha tells Steve that S.H.I.E.L.D. Director Nick Fury (played to perfection by Samuel L. Jackson) gave her a separate mission from Cap’s rescue mission. Steve yells at the Widow, then returns to S.H.I.E.L.D. to confront Fury:

Steve Rogers: “You just can’t stop yourself from lying, can you?”

Nick Fury: “I didn’t lie. Agent Romanoff had a different mission than yours.”

Steve Rogers: “Which you didn’t feel obliged to share.”

Nick Fury: “I’m not obliged to do anything.”

Steve Rogers: “Those hostages could’ve died, Nick.”

Nick Fury: “I sent the greatest soldier in history to make sure that didn’t happen.”

Steve Rogers: “Soldiers trust each other, that’s what makes it an army. Not a bunch of guys running around and shooting guns.”

Nick Fury: “The last time I trusted someone, I lost an eye. Look, I didn’t want you doing anything you weren’t comfortable with. Agent Romanoff is comfortable with everything.”

Steve Rogers: “I can’t lead a mission when the people I’m leading have missions of their owns.”

Nick Fury: “It’s called compartmentalization. Nobody spills the secrets because nobody knows them all.”

Steve Rogers: “Except you.”

Secrecy. Missions within missions. Competing agendas. This is Marvel doing a spy film that captures all the paranoia of the Cold War all over again. There is a shadow group, Hydra, manipulating the government. The people who are supposed to be protecting the citizens instead are planning to kill them. And as trust in the government fail, people begin to turn on each other. Eventually, no one trusts anyone and then we turn on each other.

We know the history of the MCU, Captain America: Civil War is coming. But look at America. Distrust of government. Fear of the police. Suspicion about the pandemic. Democrats against Republicans. We’re on a path to tearing each other apart.

And that’s why we need Captain America. When a brainwashed Bucky Barnes shows up as the murderous super villain Winter Soldier, Cap never loses faith in his friend. As they prepare for a final battle to stop Hydra’s plot, Steve and Sam Wilson (played with everyman flair by Anthony Mackie) discuss what to do about the Winter Soldier:

Sam Wilson: “He’s going to be there, you know?”

Steve Rogers: “I know.”

Sam Wilson: “Look, whoever he used to be, the guy he is now, I don’t think he’s the kind you save. He’s the kind you stop.”

Steve Rogers: “I don’t know if I could do that.”

Sam Wilson: “Well, he might not give you a choice. He doesn’t know you.”

Steve Rogers: “He will. Gear up, it’s time.”

[Steve turns and starts to walk off]

Sam Wilson: “You going to wear that?”

Steve Rogers: “No. If you’re going to fight a war, you got to wear a uniform.”

Steve had been wearing the dark blue version of his costume with the white star, but that had been confiscated by S.H.I.E.L.D. In preparation for the final battle, he borrows his World War II-era red, white, and blue costume from a museum exhibit. Donning his original costume reminds viewers of all the grand ideals America stands for: Honor, duty, compassion, helping those who can’t help themselves.

And friendship. United we stand, divided we fall. America is supposed to be united. Cap stays loyal to his friend Bucky, risking his own life in the process. And, in the end, Bucky saves Cap. Steve’s faith in him is rewarded. And it is Steve’s belief in Bucky that opens a path, albeit a very difficult one, for Bucky to find the way back to his own life.

Some people want us divided. They don’t have to be members of Hydra, although maybe they are? But we don’t have to give in to that. We can be better. And we don’t have to limit this to Americans, either. We only have one world, and we all need to live in it. We have to find a way forward to live in peace and, hopefully, in friendship.

Don’t believe me? Try this. Get up early tomorrow and watch the sun rise. It will be just as beautiful as in that opening scene. And when you see that beauty, I hope it will inspire you to do one more important thing. I hope you’ll decide to make the world even more beautiful that day by smiling, by saying something nice to someone, by lending a hand, even by doing a good deed. It’s really not that hard. We can all make the world more beautiful for those around us. That’s what acts of kindness are, beautiful acts worthy of a beautiful world.